@angelswings19 same with me.. I have short fingers.. and it’s difficult sometime to me too… but still trying to learn.. I remember even 5 or 6 years can play piano ~
On Silent Night I don’t play the F Major but Am so it goes like : C – G – Am – C and so on. So I guess the theory does not give a lot of flavor when playing by ears. I play mostly by ear and I experiment with chords it gives the melody the flavor. Its like the spices in food. Otherwise I would like to congratulate you, you are a great teacher and teach straight to the point and keep the class interesting. I wish I have a teacher as knowledgeable as you. Thumb up.
@unterlord well, firts of all, theres no rules in music, starting from there, you can start your progresion in any degree you like the thing is you have to know whats the message you wana send to the person listening, becouse we are kinda tired of hearing those “2-5-1″ chord progressions over and over.
so if you play lets say a Cmajor chord on the first, then people would expect maybe a Am, or a G7. but you throw a D#7 and then a G#major. and it turns out that you where on the key of G# not in C
Great teacher but I had a question. Moonilight sonata, written in C#m starts on it’s fifth, the G#, however, Rachmaninov’s prelude in C#m (op3. no2) begins with this intro: A-G#-C#, then procedes woth a c# chord. Is this rule possibly void (starting on the tonic, 3rd, or 5th) in any circumstance, or is it only void when considering an intro?
i have learned a lot from this wonderful teacher but i have a question about starting with the dominant note (the 5th) and how often this rule applies with with other key signatures aside from CMajor. For example, Rachmaninov’s prelude in C#m (op. 3 no.2). It starts with on an A. After this 3-note into, the song starts with c# chords. Is the intro (A-G#-C#) void of this rule then? Moonlight sonata, also written in C#m does start with G#, it’s fifth.
AWESOME! David you do a wonderful job teaching piano to beginners! Keep it up! God bless you!
yeah!!!! my first song
he’s not gay, he’s foreign lol
Your lessons are easy to follow for someone like me, who is learning to play just from watching YOUTUBE. Thank you very much.
wow, very well done!
Very well explained.
This is great! I like your slow and easy to understand instruction. I need more. Thanks,
Thank you thank you!
you’re soooo sweeeet!
watching this reminding of watchind dora with my little cousin lol
who cares if he’s gay?
respect men!
dududavid your great..
good teacher (^_^)
keep it up!
da fuck cares if hes gay its fucking teaching you how to play the piano noth how to destinguish if hes ay or not
Gay or not, who cares…great guy. Smart too.
wow good tutorial!!!
tanx not your gay
@angelswings19 same with me.. I have short fingers.. and it’s difficult sometime to me too… but still trying to learn.. I remember even 5 or 6 years can play piano ~
KICK ASS SHIRT!!!
omg thanks alot i mean..ALOT
i could play any song right now
are u gay ?? u luk like gay hahah
play this note everyone: D, then G, then G flat, and D again, sounds great =]
Wow, this was very helpful. You explain things very well.
thank you very much.. that’s actually my problem identifying the highness or lowness of the key along the song… thank you for the help!
Did he draw that tie onto his shirt?
Your teaching style is one of the best!
Thanks !
Godspeed.
Have ya seen a korean disabled girl that plays piano with only 2 fingers in each hand?
Ok, thank you =)
how can make this woman my teacher, yes?
On Silent Night I don’t play the F Major but Am so it goes like : C – G – Am – C and so on. So I guess the theory does not give a lot of flavor when playing by ears. I play mostly by ear and I experiment with chords it gives the melody the flavor. Its like the spices in food. Otherwise I would like to congratulate you, you are a great teacher and teach straight to the point and keep the class interesting. I wish I have a teacher as knowledgeable as you. Thumb up.
@unterlord well, firts of all, theres no rules in music, starting from there, you can start your progresion in any degree you like the thing is you have to know whats the message you wana send to the person listening, becouse we are kinda tired of hearing those “2-5-1″ chord progressions over and over.
so if you play lets say a Cmajor chord on the first, then people would expect maybe a Am, or a G7. but you throw a D#7 and then a G#major. and it turns out that you where on the key of G# not in C
@unterlord Rachmaninov was one of the composers who liked to obey all the rules of music. Good observation though =D
‘her name is in the description
Karen Cuneo Ramirez
Great teacher but I had a question. Moonilight sonata, written in C#m starts on it’s fifth, the G#, however, Rachmaninov’s prelude in C#m (op3. no2) begins with this intro: A-G#-C#, then procedes woth a c# chord. Is this rule possibly void (starting on the tonic, 3rd, or 5th) in any circumstance, or is it only void when considering an intro?
i have learned a lot from this wonderful teacher but i have a question about starting with the dominant note (the 5th) and how often this rule applies with with other key signatures aside from CMajor. For example, Rachmaninov’s prelude in C#m (op. 3 no.2). It starts with on an A. After this 3-note into, the song starts with c# chords. Is the intro (A-G#-C#) void of this rule then? Moonlight sonata, also written in C#m does start with G#, it’s fifth.
i dont know her name but shes a really really really good teacher [=
What kind of car was that that started up? It sounded like a Farrari. That was musci to me little ears!
Great lesson!
Thanx for posting.
Thx for posting. This is really useful!!!